The waiting game.

December 16, 2021.
On the forthcoming awards season.

“Made in Hong Kong @ Metrograph.”

March 23, 2020
Fruit Chan’s film plays in the days before the Lower East Side cinema’s closure.

“The Arrival of the Blockb-Wes-ter.”

February 14, 2020
American cinema’s most recognizable aesthetic returns in full force.

“An Upsets-Only Oscars Outcome.”

February 2, 2020
Obtained via time machine from February 9, 2020.

“My First Real Almost-Decade of Filmgoing.”

December 28, 2019
On the values of the theatrical experience.

“O PTA, Where Art Thou?”

November 6, 2019
A certain auteur’s recent visual collaborations with HAIM.

“‘A Hidden Life,’ Review.”

November 2, 2019
A conscientious objector in Austria during the Second World War, Malick-ified.

“‘Portrait of a Lady on Fire,’ Review.”

October 1, 2019
Céline Sciamma’s period romance at New York Film Festival.

“California, for Tarantino and Others.”

September 22, 2019
Late summer in the shadow of Cliff Booth and Mia Wallace.

“Venice Jump-starts Oscar season.”

August 29, 2019
FOMO as Cannes’s sexier sibling struts their stuff.

“Remembering Johnny Depp.”

July 18, 2019
A Jarmusch screening in the Latin Quarter.

“Rocketman,’ Review.”

June 22, 2019
On the questionable alignment of biopic-making and brand integrity.

“SXSW in Review.”

March 15, 2019
Visiting the Texas festival behemoth for the first time.